| t byfield on Sat, 28 Feb 2004 14:19:26 +0100 (CET) |
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| <nettime> ultima thule |
MSD -- Modernist Spongiform Disease -- abounds, it seems. good riddance.
cheers,
t
< http://news.scotsman.com/international.cfm?id=182392004 >
Sun 15 Feb 2004
Joyce grandson threatens to ban readings at festival
NICOLA BYRNE IN DUBLIN
AS anyone who has ever attempted to read Finnegans Wake will
attest, nothing is easy about James Joyce. And now the writer's
home city of Dublin is tied up in knots over its attempts to
celebrate the centenary of the day on which his marginally more
readable novel Ulysses is set - June 16, 1904.
The city has planned a three-month festival of celebrations
costing about £700,000.
Unfortunately, the only living direct descendant of Joyce has
promised to disrupt the festival by banning any public readings
of his work.
Stephen Joyce, the writer's grandson, has informed the Irish
government he will sue for breach of copyright if any recitations
take place. The septuagenarian who lives in Paris, has made
millions of pounds from the proceeds of copyright of Joyce's work
and from suing for its infringement.
The threat of legal action is being taken extremely seriously by
the organisers of ReJoyce Dublin 2004, given Joyce's previous
form.
Already a major production of Exiles, by Ireland's National
Theatre, has been shelved.
The Joyce estate has warned other organisations planning to use
Joyce's words as part of their celebrations to tread carefully.
These include the Irish National Library, Irish national
television, RTE, and the James Joyce Centre in Dublin.
ReJoyce Dublin 2004 will commemorate the centenary of Bloomsday,
the day on which the events of Ulysses took place, and thousands
of Joycean scholars and fans from around the globe intend visit
the Irish capital for the festival.
This week, many of them expressed disappointment at the author's
grandson's latest stance. "Of course, the Joyce estate is
technically within its rights, but such vigorous enforcement is
unnecessary and distasteful," said Joycean Andrew O'Baoill.
"We understand some of his actions have been aimed at issues such
as protecting the memory of Joyce's daughter Lucia, who suffered
from mental illness, from scrutiny.
"But some legal actions seem solely concerned with the financial
health of the estate and have no concern for nurturing the
greater cultural legacy of Joyce."
Nonetheless, Laura Weldon, national co-ordinator for ReJoyce
2004, said the festival committee would respect copyright.
"Anything the government has a hand in organising there will be
no infringement," she said. "So much can be done that doesn't
require copyright."
However, Weldon said it was unfortunate that there couldn't be
any major public reading of Joyce's work at the festival.
A spokesperson for the Irish government also confirmed its
intention to comply with Joyce's wishes. "The department and the
co-ordinating committee totally respect the rights of the James
Joyce estate, and would neither condone nor excuse - let alone
indemnify - any breach of copyright," said a spokesman for the
Irish Department of Arts.
He also confirmed that neither the government nor the committee
had been involved in negotiations with the estate regarding
payment of any copyright fees. Stephen Joyce has refused to
comment.
All of James Joyce's works published in his lifetime had gone out
of copyright in Ireland on December 31, 1991, 50 years after his
death.
However, new EU regulations revived copyright in these works from
July 1, 1995, as the rules extended the lifetime of copyright to
70 years.
The EU directive was the cue for Joyce, who hadn't sued anyone
for a number of years, to begin another series of legal battles.
In 1998 he successfully objected to readings of Ulysses live over
the internet. The case was settled out of court.
In 2000, a musical version of Molly Bloom's famous monologue
about masturbation in Ulysses was to be staged at the Edinburgh
Fringe Festival, but again Joyce objected.
He also famously refused an Irish composer permission to use 18
words from Finnegans Wake because "to put it politely and mildly,
my wife and I don't like your music".
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